love, again

. . . love is a magnifying phenomenon . . . every increase in love strengthens all the other love in the world.
                      
Andrew Solomon

Comments

Post a Comment

Popular posts from this blog

Aria Aber, "Oakland in Rain"

Years before ever seeing California, I wrote a story titled “Oakland in Rain.” Rain served as an easy metaphor for the unexpected in a place known for abundance, and it provided a texture of melancholy. The nameless protagonist—an exiled drunk who was, of course, a thinly veiled version of myself— had lost her mind and believed the weather communicated with her: rain meant soberness, that she had been absolved of some sort of punishment. Plagued by her wild inner life, I imagined her wandering the city, intent on getting lost in the Catholic cemeteries, where she took note   of lemons in the wet grass (an offering?), the sky, a hawk on a tree. But no matter where she went, nothing was ever quiet enough. Despite my best efforts, the narrative was bleak; it lacked tension and a convincing resolution. Now, why am I telling you all this? Well, one day I woke up and it had been raining in the Oakland of my actual life. Outside my window, the cottonwood trees looked like the day before, ...
Read more

Eavon Boland, "An Elegy for My Mother in which She Scarcely Appears"

I knew we had to grieve for the animals a long time ago: weep for them, pity them. I knew it was our strange human duty to write their elegies after we arranged their demise. I was young then and able for the paradox. I am older now and ready for the question: What happened to them all? I mean to those old dumb implements which have no eyes to plead with us like theirs no claim to make on us like theirs? I mean— there was a singing kettle. I want to know why no one tagged its neck or ringed the tin base of its extinct design or crouched to hear its rising shriek in winter or wrote it down with the birds in their blue sleeves of air torn away with the trees that sheltered them. And there were brass fire dogs which lay out all evening on the grate and in the heat thrown at them by the last of the peat fire but no one noted down their history or put them in the old packs under slate-blue moonlight. There was a wooden clotheshorse, absolutely steady, without sinews, with no mane and no mea...
Read more

Maggie Smith, "Rain, New Year's Eve"

The rain is a broken piano, playing the same note over and over. My five-year-old said that. Already she knows loving the world means loving the wobbles you can’t shim, the creaks you can’t oil silent—the jerry-rigged parts, MacGyvered with twine and chewing gum. Let me love the cold rain’s plinking. Let me love the world the way I love my young son, not only when he cups my face in his sticky hands, but when, roughhousing, he accidentally splits my lip. Let me love the world like a mother. Let me be tender when it lets me down. Let me listen to the rain’s one note and hear a beginner’s song. Maggie Smith
Read more