Scheffler, "Florence, Kentucky"

So what if the old man
on the bus is trying and                             
failing to remember his dead
mom’s face, as if the past were
not a cartoon tunnel scratched
on a wall?                            

He’s still trying,
and when did we forget our
cattle-shoes and feather-parkas,
how we carry with us a lowing
sadness, an extinguished memory
of flight?

Today I’m going to count all the               
blackbirds between the prison
and the Walmart where, right
now, in its galloping sadness
a bald man who sounds like
a car horn is hector-lecturing
his infant-hushing                          
girlfriend—as her unhappiness,
radiant as a cleat, sharp as an ice
skate, sprays to a sudden stop.

Right now, at the emergency
crisis center right next to the                      
gun store, the nurse feels entombed
in hours like a fly in amber
as the waiting room TVs
spin despair’s golden honey—

and I think of the ice I waded out
on as a kid, of how often the world
seems like it’s going to shatter,
but then, miraculously,
mercilessly, does not.


Adam Scheffler

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