Sleigh, "A Short History of Communism and the Enigma of Surplus Value"

My grandfather on his Allis Chalmers WC tractor, a natural Communist
who hated Communism, is an example of Marx’s proletariat,
though nothing near in his own mind what Marx meant by the masses —
musing in his messianic beard, Marx intuited the enigma
of surplus value that my grandfather understood
from a cutter bar and threshing drum driving into the futre
as the combine harvester, thus increasing the bushels
he could harvest each hour, thus increasing his hourly productivity
for each minute expended of muscle foot pound power —
but Marx didn’t forsee, exactly, that the tractor
would develop into a techno Taj Majal, complete
with safety-glass cab, filtered A.C., a surround-sound systme
that could rival Carnegie Hall or blast Led Zeppelin
at decibels that left your ears dazed, easily drowning out
the invincible tractor’s roar — and the hydraulics, so wsift
you could lift the discs with the touch of a finger — and all this,
in the old man’s mind, contrasting with the tractor
he put me on to learn, a four-stroke with a crank you had to turn,
cursing and turning until it shook itself and shook itself
like a drunk with the D.T.s, until, clearing the mystification
of its hallucinated roles, the tractor refused to sing the song
of its own reification and hiccupped and lurched into the real.
I’d climb onto the iron seat with a threadbare pad
that made my ass sweat, a jug of iced tea wrapped in burlap,
a bandanna knotted to keep dust out of my mouth, goggles
snapped onto my face like an ideologue’s dream so that I saw
the fields foursquare as I contour-plowed acre after acre
unfolding before me with such dialectical rigor
that the ground of being would hold still forever, never blowing
into reactions of horizon-shrouding dust whipped by the hot winds of contingency.
Such a theory Marx made to argue the enigma into sense —
and not just for himself but for the eponymous masses!
But my grandfather’s big nose and wary drinker’s eyes keep breaking through
the mask and posing an alternative enigma: what if his surplus value
led him not to solidarity with the worker but instead made him into a kulak
who must be killed? So the locomotive pulls out
of the Finland Station, so the colors red and white
make uniforms for themselves: Lenin. Trotsky.
Moth-eaten Tsar Nicholas. Technicolor Rasputin.
The ones who stood in front of Kresty Prison
for three hundred hours. But the colors saw them coming —
and wore the ones who wore them to rags.
But fast-forward a hundred years, my grandfather dead for fifty,
and there in a window on Fifth Avenue, the enigma
hides itself in the headless, sexless torso of a mannequin
as a fly lands on its finger, the window shattering
to a thousand windows in the lenses of its eyes.
And all the while the enigma, like the embalmed body of Lenin,
keeps on breathing through his waxworks face.

Thomas Sleigh