Vuong, "Telemachus"
Like any good son, I pull my father out
of the water, drag him by his hair
of the water, drag him by his hair
through white sand, his knuckles carving a trail
the waves rush in to erase. Because the city
the waves rush in to erase. Because the city
beyond the shore is no longer
where we left it. Because the bombed
where we left it. Because the bombed
cathedral is now a cathedral
of trees. I kneel beside him to see how far
of trees. I kneel beside him to see how far
I might sink. Do you know who I am,
Ba? But the answer never comes. The answer
Ba? But the answer never comes. The answer
is the bullet hole in his back, brimming
with seawater. He is so still I think
with seawater. He is so still I think
he could be anyone's father, found
the way a green bottle might appear
the way a green bottle might appear
at a boy's feet containing a year
he has never touched. I touch
he has never touched. I touch
his ears. No use. I turn him
over. To face it. The cathedral
over. To face it. The cathedral
in his sea-black eyes. The face
not mine—but one I will wear
not mine—but one I will wear
to kiss all my lovers good-night:
the way I seal my father's lips
the way I seal my father's lips
with my own & begin
the faithful work of drowning.
the faithful work of drowning.
Ocean Vuong
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