Carl Phillips, "Swimming"

Some nights, I rise from the latest excuse for
Why not stay awhile, usually that hour when
the coyotes roam the streets as if they’ve always
owned the place and had come back inspecting
now
for damage. But what hasn’t been damaged?
History
here means a history of storms rushing the trees
for so long, their bowed shapes seem a kind of
star—
worth trusting, I mean, as in how the helmsman,
steering home, knows what star to lean on. Do
people, anymore, even say helmsman?
Everything
in waves, or at least wave-like, as when another’s
suffering, being greater, displaces our own, or
I understand it should, which is meant to be
different, I’m sure of it, from that pleasure
Lucretius speaks of, in witnessing from land
a ship foundering at sea, though more and more
it all seems related. I love the nights here. I love
the jetty’s black ghost-finger, how it calms
the harbor, how the fog hanging stranded just
above the water is fog, finally, not the left-
behind
parts of those questions from which I half-wish
I could school my mind, desperate cargo,
to keep a little distance. An old map from when
this place was first settled shows monsters
everywhere, once the shore gives out—it can still
feel like that: I dive in, and they rise like
faithfulness
itself, watery pallbearers heading seaward, and
I the raft they steady. It seems there’s no turning
back.

 

 

Carl Phillips

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